Muza Art

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Russian painter Illarion Pryanishnikov

Russian painter Illarion Pryanishnikov. Portrait by V. G. Perov, 1862

Russian painter Illarion Pryanishnikov. Portrait by V. G. Perov, 1862


Illarion Pryanishnikov was a Russian artist and teacher, master of genre painting, member of the Petersburg Academy of Arts (since 1893), one of the founders of the Association of the Wanderers (Peredvizhniki).
Illarion Mikhailovich Pryanishnikov was born on March 20 (April 1), 1840 in the village of Timashovo in the Borovo district of the Kaluga province, in a merchant family. At the age of 12 he began to study at the Moscow School of Painting, Sculpture and Architecture, but a year later he left it: he had to work in a merchant’s shop. In 1856, he resumed his studies. Until 1866, Pryanishnikov studied with such masters as E. S. Sorokin, S. K. Zaryanka, A. N. Mokritsky, E. Ya. Vasiliev. It was Vasiliev who achieved the right to free education for a talented student and provided him with housing. During his studies, Pryanishnikov became friend with V.G. Perov; in 1857, when Perov worked on the picture Arrival of a New Governess, Pryanishnikov posed for him to create the image of the main character. In 1862, the young artists spent the summer in the Trinity-St. Sergius Lavra.

In 1864, Pryanishnikov was awarded a small silver medal for the painting Reading a letter in a small shop. In the year of graduation from the school (1865), he received a large silver medal and the title of a class artist of the third degree. The painting Gostiny Dvor in Moscow brought the artist wide popularity and was even sent to the International Exhibition in Vienna. However, it was not exposed, according to V.V. Stasov “because of fear to show Russian ulcers to Europe”.
In late 1869, Pryanishnikov took an active part in the creation of the Association of Traveling Art Exhibitions and became a founding member of this organization.
His critical realistic pictures show the miserable entertainment of urban people (At the Puppet Theater, 1867); the suffering of homeless beggars (Beggars, 1870); the overwork of exhausted female workers (The Seamstress, 1870). For the last two works Pryanishnikov was awarded the title of class artist of the 1st degree in 1870.
Pryanishnikov’s painting Empty-handed, exhibited at the first traveling exhibition in 1871, brought him a new success. According to the unanimous opinion of contemporaries, the picture was recognized as innovative due to the successful combination of landscape and genre motif. This work was purchased by one of the collectors long before the opening of the exhibition. P. Tretyakov, violating his own rule – not to have repetitions and copies in his collection, ordered the artist to repeat the picture.
A peasant with a spear on his shoulder

A peasant with a spear on his shoulder


In 1871-1872, Pryanishnikov together with V.E. Makovsky, G.G. Myasoedov, V.O. Sherwood and other artists worked on the creation of a series of paintings devoted to the defense of Sevastopol in the Crimean War for the Polytechnic Exhibition in Moscow.
In 1875-1877 he worked on the murals of the Cathedral of Christ the Savior in Moscow.
In the second half of the 1880s and the first half of the 1890s, Pryanishnikov painted several monumental canvases devoted to the way of life and the traditions of the Russian village.
In 1891-1892, after contracting tuberculosis, he moved to the Crimea, to Alupka. Upon his return to Moscow, he taught at the school again, and in 1893 was elected a full member of the Academy of Arts.
Illarion Pryanishnikov died on March 12 (24), 1894 in Moscow.

Russian painter Illarion Pryanishnikov

Amateur, The Late 60s

Amateur, The Late 60s

Backyard

Backyard

Beggars, passers-by, 1870

Beggars, passers-by, 1870

Children at fishing, 1882

Children at fishing, 1882

Churchwarden, 1885

Churchwarden, 1885

Cruel romances, 1881

Cruel romances, 1881

Easter

Easter

Empty-handed, 1872

Empty-handed, 1872

Felling, 1874

Felling, 1874

Fire victims. 1871

Fire victims. 1871

Fishing, 1882

Fishing, 1882

Hunter in the woods in winter

Hunter in the woods in winter

Hunting, 1881

Hunting, 1881

In 1812, 1874

In 1812, 1874

In ambush

In ambush

In the artist's workshop, 1890

In the artist’s workshop, 1890

Jokers. Gostiny Dvor in Moscow, 1865

Jokers. Gostiny Dvor in Moscow, 1865

Makovsky Vladimir Yegorovich. Portrait of Pryanishnikov

Makovsky Vladimir Yegorovich. Portrait of Pryanishnikov

On Bald Mountain

On Bald Mountain

Portrait of M.G. Belyustina, 1870

Portrait of M.G. Belyustina, 1870

Portrait of V.F. Belyustina,1870

Portrait of V.F. Belyustina,1870

Preparation of soil for sowing flax in the Vologda province, 1887-1890

Preparation of soil for sowing flax in the Vologda province, 1887-1890

Procession, 1893

Procession, 1893

Reading a letter in a small shop, 1864

Reading a letter in a small shop, 1864

Return from Fair, 1883

Return from Fair, 1883

Rural holiday, 1870

Rural holiday, 1870

Sparrows, the guys on the fence, 1883

Sparrows, the guys on the fence, 1883

Spasov day in the north, 1887

Spasov day in the north, 1887

Spinner, 1878

Spinner, 1878

Tasters, 1860s, Wood, oil

Tasters, 1860s, Wood, oil

The End of Hunting, 1884

The End of Hunting, 1884

The Tatar, 1880

The Tatar, 1880

Waiting for the best man, 1891

Waiting for the best man, 1891